jaime-lorente.org

May 09, 2022  Laurine Comments are off Interview, Photoshoot, Web

Jaime Lorente has just released “La noche”, his first EP as an artist. A collection of songs with which he debuts and bets on his career as a singer and musical author.

Hand in hand with one of the most in-form producers on the national rap and urban scene, Pablo Gareta, Jaime has created an EP with five songs: “Saturday”, “Sra Smith”, “Guapo y Loco”, “El Chaval” and “Lengua de Gato”.

Disco bangers, with a nostalgic and electronic sound. Between raps and catchy melodies, giving free rein to his creativity, Jaime delves into the music industry with lyrics that reveal the most nocturnal facet of him, the darkest and most lively part that we all have within him. Although the artist reveals that his greatest wish is tranquility.

You are a restless person who never stops discovering new artistic facets. For you, what is “the art of living”?
A moment in my life has come when I consider that “The art of living” is to be calm, and being calm has a lot to do with knowing what one is, being very honest… And knowing that, to enjoy, one can be at night at a party, but you can also enjoy watching a movie at home, knowing what it is and respecting yourself a lot.

With so many new projects underway, why did you decide to embark on this G’Vine adventure, which brings you “the art of living” as an ambassador?
It was the brand that somehow became very interested in this jumble of artistic concerns that I have and said: “Why don’t we put it together and turn Jaime into the image of G’vine showing this”. It fits me perfectly.

What does the work of a singer give you that the work of an actor does not?
For me, music is not just the fact of creating songs, it is the relationship that I have with my producer, with Pablo Gareta, who in some way I have always felt has saved my life and has taught me a way to communicate and give sense to many things that were inside my head and didn’t make sense. Everything that has to do with music has to do with him. He is my best friend and that drives me crazy.

How did the idea of ​​starting to compose songs come about?
In quarantine I was having a very bad time. Suddenly I started researching music, because I had always liked to rap and write, but I had no idea how to build a song, how to do it and searching YouTube I found a masterclass by Pablo Gareta, I wrote to him and he said: “What you do is very messy but I think we can do something together”. And up to here.

What has always been your true passion, acting or composing?
Feel free, really. I think that through both things, composing and acting, I feel very free.

One of the songs that has already accumulated millions of views on digital platforms is “Guapo y Loco”. What do you take away from the collaboration with Natos?
He is another of my best friends, he is the other person who has given me everything. Of Natos I always say that we are the same person in two different bodies, if we didn’t love each other so much we would hate each other. I take everything with me, these people have taken care of me, they have taught me, they are my loves.

Within the music industry, which artists would you like to collaborate with? Do you have something in mind?
Right now I’m at a point where I want to build and strengthen the style of music we make. With Natos it was easy because he has collaborated throughout this process. When I feel that I have the stone well anchored, I will look for more things.

What would you say to Jaime that he started in the Denver project at LCDP?
Do what you’ve done all your life, what you want. Try to do it loving and respecting people, but… whatever you want.

The process of “fame” carries a lot of social pressure. Does the Jaime who started in this entire industry of interpretation manage it differently than the one now?
Much much. I have had to go through a very strong psychological process of help to try to find a place of tranquility and coexistence with all this madness of exposure that a success like LCDP, for example, supposes. I think that now I am in a good moment, where I appreciate the positive of that, but I also appreciate the good that I have in my privacy.

In this process of managing the media boom, networks and pressure, what have you learned?
The pressure that I have felt is from me towards myself, suddenly I was forcing myself to do things to achieve a success that was not mine. Everyone says that success is placed in a very determined place and you get it and say “It’s not true”. My success is still elsewhere. I do this and I love it, but my success is being really calm.

Right now, what is your dream or your goal?
My goal is to build a space for my daughter of freedom, of love, where she believes that she can do whatever she wants.

Jaime Lorente will be performing this summer at the most important festivals in the country, confirming his presence at the San Isidro festival in Madrid, Holika Festival, Sonica Festival, Boombastic and Arenal Sound, among others.

Source : larazon.es

March 08, 2022  Laurine Comments are off Campaign, Giorgio Armani, Interview, Photoshoot

The actor celebrates with us the 25 years of this iconic fragrance. And he does it by showing himself as he is: authentic, masculine, sincere, unforgettable. Like his perfume.

His talent has no limits, like the ocean. Neither was his mood: vital, delicate, brave, infinite. That is why Jaime Lorente is the skin and face of an iconic fragrance, Acqua di Giò, capable of reconciling freshness and strength in its essence. And with it we wanted to celebrate the 25th anniversary of this perfume, which captures in its aroma the soul of the sea, the Mediterranean character, the power of the waves, the light and the air.

Revolutionary both -the perfume and the actor-, powerful, unforgettable… They shake hands again to invite us to seek that space in which to find ourselves. That place, physical or spiritual, in which to look inside. In which to recharge and connect with the true essence: light, water… Freedom!

Because Acqua di Giò is pure nature, a perfume charged with the future: eco-conceived and with a formula of sustainable origin. Plus? It’s refillable: bottles designed to last forever and the refill bottle attaches without a spout. Tangerine, geranium… floral and woody notes subtly wrapped in the force of the sea and presented in a format that promises the future and is committed to it. Because caring for nature is caring for the very essence of Acqua di Giò.

“Acqua di Giò… what is it for me? It is the essence that makes me connect with nature, with the deepest”. This is how Jaime Lorente begins his reflection on what this perfume means to him. You want to know more? Keep reading!

Acqua di Giò was created in 1996 by one of the best perfumers and noses in our country, Alberto Morillas. What do you think that its origin is Spanish?
Love it. I also had the opportunity to meet him in Pantelleria and it was impressive. There I understood why the fragrance is so good. He is incredible, a charm. And, honestly, he is a real pride that he is also part of our life.

What did you feel when traveling to the origin?
I do not know. I felt a connection with the land and the brutal sea. I think it captures the essence of Pantelleria very well.

This aroma has come to be considered as the most recognizable essence of the Mediterranean Sea itself. What do you think?
I super agree. The Mediterranean also speaks a lot about our customs. It is a men’s fragrance and I think it perfectly represents how we Mediterranean men are.

What does this sea mean on a personal level?
The Mediterranean Sea for me is home. It is where I was born, where I have spent my entire childhood and where I return every time I need to reconnect with my own essence.

An icon of perfumery that was also Giorgio Armani’s first men’s fragrance. How do you feel being part of an icon as powerful as this one?
I think it’s a gift, really. I feel so identified 100% in everything the brand does. In fact, it is an honor that my image is part of the history of Acqua di Giò by Giorgio Armani.

When Acqua di Giò was launched you were five years old. It may be too young an age to remember anything about it, but what is your first memory of this essence?
The concept of the Armani man is something that has always been present in my imagination. Not only because of what it meant for fashion in the 90s, when I was born, but also because it is true that my father has always used Acqua di Giò. So my memory belongs to seeing it in my father’s drawers, not in the ads.

Aqua di Giò reflects, as you say, perfection, the power of nature, of the sea, of infinity… With what do you empower yourself with all that?
I believe that with infinity, which is the most inaccessible. I am a great persecutor of things that, many times, I cannot reach. I think the fact of wanting to achieve things is the challenge. There is the gasoline of life.

And what do you recharge with?
With my daughter. When I see my daughter is when I am aware of the responsibility I have for her to be happy and for her to live freely. I repeat to myself a lot about “my daughter is going to be free in spite of me”. She is not to blame for my fears.

I see that challenges are your thing and that you demand a lot of yourself.
I think not that I’m in the wrong place, but I’m also not a typical example of success, you know? I mean, I don’t usually feel very comfortable in places where successful people feel super comfortable.

You talk about success, what is success for Jaime Lorente?
For me, sleep peacefully and tell something specific. I always say that I dedicate myself to acting because I must have a wound out there with art that I try to heal a little. But it is true that, from an actor’s point of view, I love acting. I have the best job in the world and the most horrible job in the universe. It is a precious profession. But in my case, in addition, I am surrounded by truth.

Source : esquire.com

November 05, 2021  Laurine Comments are off Behind The Scene, Campaign, G'Vine, Interview, Photoshoot, Web

In France, surrounded by vineyards, riding in classic cars and with a gin with six centuries of history in hand. This is how we meet Jaime Lorente.

It may seem that we are describing the setting of Jaime Lorente’s next fiction, but nothing could be further from the truth.

A few months ago we traveled to France, hand in hand with G’Vine, to discover his new campaign (of which the actor is an ambassador). Thus, we learned about the origins of this French gin -the first with a grape base-, its production process, distillation… and, between glass and glass, sip and sip, we had the pleasure of chatting with Jaime, who represents the perfection the ‘art de vivre’ of the firm.

Now yes, the end is already written. Yesterday Netflix unveiled the preview of what will be the last part of one of the most viewed series on the platform and, feeling very sorry, we have to say goodbye to it.

For Jaime, saying goodbye to La Casa de Papel and his character, Denver, has not been easy either. “Closing such an important trip is beautiful but painful at the same time”, he says.

Even so, the actor is predicted by many good things, including the launch of his first EP, the premiere of a psychological horror film with Milena Smit and the filming of 42 Segundos, a film that, according to Jaime himself, “It looks great”. Here is his interview in full:

Have you already seen the end of La Casa de Papel or, rather, do you intend to?
I have not seen it yet! I will be one more spectator waiting for the opening day… What are you looking forward to!

When they gave you the role, did you imagine that it would transcend as it has? Have you ever felt like your character was eating Jaime?
It is true that due to its repercussion people start calling you by your character’s name and so on, but, personally, I have never allowed Denver to eat Jaime.

Have you ever considered abandoning acting precisely because of the repercussion that your latest characters have had?
No… Let’s just say that the conflicts with my craft have always resided in my insecurities, not in the success of my jobs.

At this point, do you keep meeting people who don’t know who you are?
Of course I do, but I think that fame is such a lie and fleeting that it is not part of my concerns (laughs).

How do you handle the criticism and everything that is said about you?
It depends on the day… From Monday to Saturday I don’t care, on Sunday if I get screwed too (laughs).

‘Saturday’ is the first preview of what will be your first EP: ‘La noche’. What can you tell us about him? Why this title?
I’m very happy with the work that Gareta and I are doing with ‘La noche’. I really wanted to face a hooligan artistic event… The title refers to a journey to the place where anything can happen.

Who or what inspires you in each of your facets?
My inspiration always resides in small moments that my day-to-day offers me, almost always in some detail that in principle should not waste my time much but that I usually stretch until I see when it breaks.

Something that you always emphasize in your interviews is honesty. Do you think music or poetry is more honest than performance?
I believe that honesty resides in yourself, whatever you do.

What other qualities are essential for you? Do you fulfill them?
Well… I’m not a moralist (laughs).

I imagine that Pablo Gareta, your soul mate, brings them all together… how would you define Pablo so that people who don’t know him understand who he is and what he means to you?
Apart from being a professional like few others, he is one of the best people I have ever met.

You just shot ‘Tin & Tina’, with Milena Smit. How has it been to share filming with another of the most promising faces of our country?
She is an angel. That says it all…

What else does Jaime Lorente have on his hands? Where does he want to go?
Now I’ll try to get some rest. I need to feel like things.

Source : vanidad.es

September 28, 2021  Laurine Comments are off Behind The Scene, Photoshoot, Screencaps, Video

September 08, 2021  Laurine Comments are off La Noche, Music, News, Photoshoot

Jaime Lorente is firmly committed to his musical career with a collection of songs in which he will discover his night owl side and which we will soon be able to enjoy live. The popular actor (15 million followers on Instagram), star of series such as La Casa de Papel, Elite or El Cid, has already revealed the first preview of what will be his debut EP: “La noche”.

Jaime’s interest in music comes from a very young age, listener to rap and urban music, and his friendship with producer Pablo Gareta (Natos y Waor, Toteking, …) with whom he has formed a great team, has been the trigger for the beginning of this project. “La noche” will show through five themes that nocturnal and dark part that we all have inside, which perhaps is difficult to recognize, but without which we could not also enjoy the days and the light.

This is only the first stage of a musical journey that will pass through different states of mind between hip hop, electronic and pop, and in which Jaime Lorente will have first-rate collaborators.

Source : themusicrepublic.es

September 07, 2021  Laurine Comments are off Photoshoot

September 07, 2021  Laurine Comments are off Photoshoot, Web

La Casa de Papel was from the beginning such an exportable product — the Dalí masks worn by robbers, their aliases from international cities, the Hollywood rhythm of the storytelling — that it almost seems they had it all figured out. Except that if they had planned it it would not have turned out so well: there are shots that have to be improvised on the fly. The righteous aspect of the argument, a la Robin Hood, Ocean’s Eleven or Snatch, pigs and diamonds, caused the first readings of the phenomenon to be political. “The series makes a nod to the historical moment in which we are living, in which we all feel victims of a system that would only want our poverty”, Il Corriere della Sera analyzed. “An incitement to rebellion?” Asked Le Monde. The former mayor of Ankara asked the secret services to intervene in this “very dangerous symbol of rebellion”. Dalí masks proliferated on protesters against the Macri government in Argentina, on banknotes launched by Uruguayan anti-establishment artists, and at the Rio de Janeiro carnival. “The original name was going to be “Los Deshuciados”, because it spoke of people who were evicted and through [this robbery] they were looking for a new life”, says Lorente.

But the dimension of the phenomenon ended up dissipating any sociopolitical reading. That resounding debut thanks to Madrid-Atleti de la Champions was no accident: the potential audience for this series is the same as football, that is, practically anyone. His fans include Neymar, Romeo Santos, Chiara Ferragni, most likely ourselves and a good part of the members of our families. The popularity of La Casa de Papel has benefited from its blunt simplicity: La casa de papel is exactly the series it sounds like, one in which the leader of the band uses expressions such as “let’s mess it up” and in which the coffin from Nairobi (Alba Flores), murdered last season, had written “the whore loves”. A series that has inspired the largest escape room in Europe.

His feat has been treated in the same terms as that of a humble football team that nobody sees coming (the Dépor of the centennial, Ranieri’s Leicester in 2016), whose fans also support through badges, songs, tattoos and even a certain connection identity. There is a national pride towards the triumph of La Casa de Papel only comparable to that awakened by Nadal, Gasol or Belmonte. “It has the same elements as a football club”, says Jaime Lorente. “There is a coach, some players, a kit, an anthem, a color and some tactics”.

When the third season of La Casa de Papel aired, the first on Netflix, there was more talk about its international repercussion than about the characters. Nobody cared what La Casa de Papel meant. The colors are above their players: the star of LLa Casa de Papel is La Casa de Papel. “You are a kind of souvenir. And very cheap”, indicates Lorente regarding his role as part of the enormous gear. “You buy something at the supermarket and you want what’s inside the box. Success is more difficult to manage than failure, because failure is forgotten but success cannot be taken away even with turpentine”.

[…]

“It’s that the premise of La Casa de Papel was already very extreme, if you accept that, anything will fit in with you”, Lorente explains. “The intention was always to make great entertainment to watch with popcorn and coke, not to wake up a revolution in Brazil”. Herrán believes that, as the screens have become small, it is the industry that has become too big: “It is consumed too much, there is too much supply and you have to distinguish yourself in something. And what are you doing? Take it all to the extreme. The perfect example is Elite, I have not seen it but everyone is telling me that this season is outrageous, that they have passed… But of course, if not, you have 10,000 identical products”.

Miguel Herran: I have spent three weeks throwing a grenade. It’s exhausting because I like to perform.
Jaime Lorente: That’s it. And there are days when you don’t feel like an actor.
M. H. Sure, you think, damn it, I’m a well-paid helper. I’m here without saying anything, doing nothing, feeling nothing, with the camera so screwed up that I don’t know if you’re really looking at me. Spending all my fucking energy to do the best I can. And there comes a moment of despair in the second week when you say, “Look man, I can’t take it anymore”. And then they tell you to hang on a bit, then your short [shot] comes. And you answer: “Sure, but why didn’t you do it a week ago!”
J. L. You are now empty.
M. H. You are completely empty.

And doesn’t one feel like a child playing hitting shots?
In fact, it is not enjoyed. Think of it as a weapon that weighs three and a half kilos, that you are pretending all the time because it doesn’t really shoot. And you don’t see anything.
J. L. Dust gets into your eyes, you cough, the effects clamp goes off and something explodes in your face.
M. H. You have a firecracker here, a splinter comes out …
J. L. It is that you go with fear sometimes. Do you remember that bottle that was behind you? It’s dangerous man, it’s dangerous.
M. H. And that firecracker they put you around here? [points to arm]
J. L. Yes, yes, it blew me up in a shot.

Could it be said then that they wanted to finish?
J. L. Yes, because the intensity that one lives in the filming of La casa de papel is very strong. It’s a 10 hour climax.
M. H. Of course, all the conflicts are so big, so fat, so intense, that one ends up in despair. Emotionally exhausted.

And how can something that has ended up being so great be closed in conditions?
J. L. Going back to the essence of the characters, which was what people fell in love with in the beginning, the characters. The war has come later.

Source : elpais.com

September 07, 2021  Laurine Comments are off Photoshoot, Web

Pedro Alonso, Jaime Lorente, Alvaro Morte and Alex Pina on saying goodbye to the beloved Netflix series.

No matter how near the end sits in view, it can still be hard to see it. For Jaime Lorente, he finally caught a glimpse of it on the last day of filming the final part of La Casa de Papel. He was on set in the Bank of Spain, and he and the other members of La Banda were playing out the final sequences of a heist that started as a robbery and descended into an all-out war. They were exhausted, wrapping at around 4 am, which was normal for the show’s months-long production. There was blood on their jumpsuits, but you’d never know it. In between takes, Lorente looked down at that now-iconic red jumpsuit, and then looked around at the other actors that he’d become so close to over the last five years. He pulled at the crimson cloth that covered him, and, one by one, they all did the same. ‘We had been wearing these red jumpsuits for so long, and then in that moment we realized that it was the last time we would wear them”, Lorente tells Esquire Middle East.

Lorente never knew that a simple jumpsuit and a Salvador Dalí mask would end up meaning so much to him, nor did the rest of them. Five years earlier, it was simply the costume chosen for a new heist show that would premiere on Spain’s second-most popular TV station. It aired in 15 episodes from May to November of 2017, and it made some rumblings in Spain, but its resonance was supposed to stop there. “There was a feeling of emptiness when we concluded. We had come to tell the story of robbery and we did it. It was hugely stressful to write those 15 episodes, 70 minutes long each, and shoot them in 5-6 months. In the end, I had a certain feeling of relief because I had never written or shot so fast”, says the show’s creator Alex Pina. “We were very young, we had no money, and we had to shoot twice as many constant days, so while it was a relief to finish it, we felt that we had done something good. We felt it had contributed to the genre, blending the North American branch of the genre and the Anglo-Saxon literature of the perfect robbery, creating a hybrid with black comedy with romanticism, and then suddenly it was over”.

[…]

It is often hard to say goodbye. For Lorente, he couldn’t bring himself to say it at all. “It’s something you just can’t do, right? It’s hard to even fathom of the implications of saying goodbye to something that is so big. Until you say goodbye, you don’t realize that there are some of your co-actors that you will never talk to again or maybe never see again. So, for me, it’s not really over until you say goodbye. That’s why I don’t plan to say it”, says Lorente. Whether or not he’s ready to let go, Lorente is ready to admit one thing—this show changed his life, as surely it changed many others. “On a personal level, on a professional level, my life is completely different now. And it’s all because of this show. I think that many of the things I do have been made possible by this show. I would have possibly had a much more normal life if it wasn’t for this. If you spend one day with me, you will realize how much this show has changed the person I am, for the better. I’m so grateful for what it has given me, and given all of us”.

Lorente is not ready to say goodbye. But perhaps, in its stead, he can muster one final refrain:

Bella, ciao.

Source : esquireme.com

August 26, 2021  Laurine Comments are off Bvlgari, Campaign, Photoshoot

July 31, 2021  Laurine Comments are off News, Photoshoot, Tin y Tina

Filming begins on Tin & Tina, the world premiere of Rubin Stein’s feature film with which he will adapt his acclaimed short Tin & Tina (2013), nominated for the Golden Méliès for the best European fantastic short film and winner of more than thirty awards international.

The film will present us with a psychological horror story in which two orphaned twin brothers, raised in a strict convent, are adopted by a young couple.

“It is, at its core, a mystery movie,” Stein remarks. And there is nothing more mysterious than the mind of a child. Children live in their own real world with their own rules and beliefs. Trying to understand their actions and intentions can be very difficult at times. For this reason, I have always loved movies about enigmatic children. My goal as a director is that the viewer, when leaving the cinema, has the feeling of having experienced an original, unique, sometimes funny and sometimes terrifying journey to a Spain of the past that reverberates in the present through childhood, the family, religion and the limits of good and evil”.

Milena Smit (No Matarás, Madres paralelas) and Jaime Lorente (La Casa de Papel, El Cid) will be the protagonists of a story that also includes Carlos González Morollón (Padre no hay más que uno) and Anastasia Achikhmina (El Ministerio del Tiempo). In addition, it has the special collaboration of Teresa Rabal.

“I have seldom enjoyed the screenwriting process and film development as much as I did with Tin & Tina.And this has not been accidental. Everything is the work of Rubin”, says the producer, Olmo Figueredo. “He has an innate ability to make you feel that you are a real part of the project, that you contribute at all levels, but at the same time he always manages to take it to a personal level and consistent with his style. I think that is the reason that he has made names of the stature of Milena Smit and Jaime Lorente join the project. I have no doubt that the film is going to surprise a lot and that the name of Rubin Stein is going to sound a lot (and for the better) in the coming years”.

Stein, whom Variety magazine defined as “one of the 10 emerging Spanish filmmakers to follow closely”, will thus bring to theaters the first story of his trilogy of black and white suspense shorts Luz & Oscuridad, which continued with Nerón (2016) and Bailaora (2018).

With seven weeks of filming ahead in Seville, Tin & Tina is a production by Olmo Figueredo González-Quevedo for La Claqueta PC and Tin & Tina La Pelicula AIE, in co-production with Miami Film Gate, with executive production by Paola Sainz de Baranda, with the participation of Canal Sur Radio and Television, with the support of ICAA and the Andalusian Agency of Cultural Institutions and with the collaboration of Latido Films. Filmax will distribute the film nationally.

Source : fotogramas.es






Jaime Lorente Daily (jaime-lorente.org) is an UNOFFICIAL and NONPROFIT fansite, created by a fan for other fans. Webmiss behind this website are simply friendly fans showing appreciation and dedication towards the amazing actor. I am not Jaime Lorente, and I do NOT have ANY affiliation with Jaime himself, his management, his friends, or his family. All images are copyright to the their respective owners, and all graphics and original content are being used under the Fair Copyright Law 107. No copyright infringement is intended. If you need something removed from this site please do not hesitate to contact me. The webmiss claim NO ownership of the contributions to this web site and receive NO financial gain for this web site. Besides the free time and dedication invested to this website, the ads that appear are strictly sponsoring the costs of maintenance of it: such as hosting, technical support and domain renewal.