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Pedro Alonso, Jaime Lorente, Alvaro Morte and Alex Pina on saying goodbye to the beloved Netflix series.

No matter how near the end sits in view, it can still be hard to see it. For Jaime Lorente, he finally caught a glimpse of it on the last day of filming the final part of La Casa de Papel. He was on set in the Bank of Spain, and he and the other members of La Banda were playing out the final sequences of a heist that started as a robbery and descended into an all-out war. They were exhausted, wrapping at around 4 am, which was normal for the show’s months-long production. There was blood on their jumpsuits, but you’d never know it. In between takes, Lorente looked down at that now-iconic red jumpsuit, and then looked around at the other actors that he’d become so close to over the last five years. He pulled at the crimson cloth that covered him, and, one by one, they all did the same. ‘We had been wearing these red jumpsuits for so long, and then in that moment we realized that it was the last time we would wear them”, Lorente tells Esquire Middle East.

Lorente never knew that a simple jumpsuit and a Salvador Dalí mask would end up meaning so much to him, nor did the rest of them. Five years earlier, it was simply the costume chosen for a new heist show that would premiere on Spain’s second-most popular TV station. It aired in 15 episodes from May to November of 2017, and it made some rumblings in Spain, but its resonance was supposed to stop there. “There was a feeling of emptiness when we concluded. We had come to tell the story of robbery and we did it. It was hugely stressful to write those 15 episodes, 70 minutes long each, and shoot them in 5-6 months. In the end, I had a certain feeling of relief because I had never written or shot so fast”, says the show’s creator Alex Pina. “We were very young, we had no money, and we had to shoot twice as many constant days, so while it was a relief to finish it, we felt that we had done something good. We felt it had contributed to the genre, blending the North American branch of the genre and the Anglo-Saxon literature of the perfect robbery, creating a hybrid with black comedy with romanticism, and then suddenly it was over”.

[…]

It is often hard to say goodbye. For Lorente, he couldn’t bring himself to say it at all. “It’s something you just can’t do, right? It’s hard to even fathom of the implications of saying goodbye to something that is so big. Until you say goodbye, you don’t realize that there are some of your co-actors that you will never talk to again or maybe never see again. So, for me, it’s not really over until you say goodbye. That’s why I don’t plan to say it”, says Lorente. Whether or not he’s ready to let go, Lorente is ready to admit one thing—this show changed his life, as surely it changed many others. “On a personal level, on a professional level, my life is completely different now. And it’s all because of this show. I think that many of the things I do have been made possible by this show. I would have possibly had a much more normal life if it wasn’t for this. If you spend one day with me, you will realize how much this show has changed the person I am, for the better. I’m so grateful for what it has given me, and given all of us”.

Lorente is not ready to say goodbye. But perhaps, in its stead, he can muster one final refrain:

Bella, ciao.

Source : esquireme.com

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Jaime Lorente is going to be a father for the first time. It is announced by the magazine ¡HOLA! while the networks are filled with excitement for the premiere of La Casa de Papel. This news overshadows everything else: María Pedraza’s ex, who gained popularity in Elite, gave life to El Cid and during the pandemic he embarked on a musical career, he is about to debut in a new facet: that of the head of the family. The news comes nine months after publicly announcing his breakup. Jaime Lorente would have found stability with his new partner, who also works on the series that catapulted him to stardom and has returned to the screens this Friday. We still do not know his name or his face, but we do know that he is part of the wardrobe department at La Casa de Papel. […] According to the magazine, it is expected that his first daughter will be born in November, whom they will call Amaia. The two of them would be very excited about the news.

Lorente has always been a very babysitter: he considers himself a very familiar boy and adores his parents, his brothers and especially his nephews, who often appear on his social networks. However, with the private nature of him, the news that reveals ¡HOLA! has not yet been announced in the first person on the Instagram account in which she shares some aspects of her life, but she prefers not to immerse herself too much (“For my mental health, my personal life and that of my partner, who also has no need to I receive according to what things”, he said some time ago. “I think I don’t even have the application installed on my mobile. When I have to do something important, I do it. And little else”). We know that his partner has become his new refuge, with who he “sleeps his sorrows” and also hopes for the greatest joys.

Although he keeps his feet on the ground, at 29 years old, the Murcian artist is on the crest of the wave. Trained in the theater, avid reader and lover of the dramatic art, his career as an actor has been successfully built before an audience that loves the touch of ‘bad boy’ that, like a Spanish John Travolta, Lorente takes in all the roles. He is also a poet and dares to rap, a second love that he talked about at length in Tendencias. He has released several songs: Corazón, Acércate and Romance (El Cid) with Natos and Deva, followed by the recent Mirando al Sol, released in April 2021.

This new personal moment has to be thanked, like so many other things, to the series that has put him on the map and that, also, has marked the course of his personal life: La Casa de Papel. Although he feels grateful, it is something that he takes with reservations, as he reflected in this interview with Playz: “Clearly the positive is that it positions you, puts you on the map and makes the world know you and be recognized. Then, subordinate your life also to that exhibition”.

We wondered what the next surprise Lorente would give us, who we know as an actor, model, musician, dancer and poet. Soon, little Amaia’s father will become part of the list.

Source : rtve.es

septembre 07, 2021  Laurine Comments are off Movie Poster, Un Poeta en Nueva York

Jaime Lorente will represent Lorca in Un Poeta en Nueva York and we give you all the details.

In 1929, Federico García Lorca lived in New York, specifically as a student at Columbia University, that phase of his life was captured in a book where he uncovers the city and injustice, dehumanization, which he feels is taking over society because it is present in a of the coldest metropolises in the world. Lorca’s book seems like a cry of warning to humanity in defense of art, beauty, life and the human, and Jorge Naranjo tries to reflect this in his work Un Poeta en Nueva York, where we will have Jaime Lorente, Denver in La Casa de Papel, representing one of the most present poets, always alive in artistic movements, in defense of freedom and justice throughout the world: Federico García Lorca.

If we analyze it, it was difficult to find a more suitable actor for this role than Jaime Lorente, in La Casa de Papel and El Cid, with two different historical and personal approaches, represents a cry of rebellion and resistance, defense of the weakest and almost always having to fight against greater forces. In the case of Un Poeta en Nueva York, the major force against which he fights is cultural, moral, social, imposed on society and against which Lorca fights like Quijote, armed with his pen and his social conscience.

Jorge Naranjo’s work was selected for the Film Academy Residences, a project that helps finance audiovisual projects and contributes to the training of rising filmmakers.

Great challenges await Jorge Naranjo and Jaime Lorente for the recording of this series of six episodes. Federico García Lorca was a free soul, a poet who played the piano and drew attention wherever he came, his presence was similar to that of a rock artist many years later and this is also tried to be captured clearly in the series. On the other hand, the sensitive side of him was opened to the public during his stay in New York. It was in those years when he wrote “El Público”, a theatrical piece where he expresses the theme of homosexuality, in years where he moves between Havana and New York.

In addition to this, the New York of the time must be recreated, something decisive to understand the poet’s air, his uneasiness when noticing the way of life and thought in that great city, a challenge for which we know that Jaime Lorente is prepared and Jorge Naranjo more than inspired. Everything goes in homage to the memory of a great like Lorca.

Source : crush.news






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